I always say that every aspect of a band is important, but the sound of the drums and the vocals are most crucial.” It helps to have a decent tone and something that is full enough to provide punch. “That’s what is really up there, and the sound of the kick is very important. “On a record, the kick and snare are heard more than anything else,” explains Webb, a producer, engineer, and owner of Orange County, California’s Maple Studio, who has worked with artists such as Mötörhead, Limp Bizkit, Bleed The Dream, and Social Distortion. These tips, generously shared by prolific audio pros Rob Tavaglione, Cameron Webb, Russ-T Cobb, Mike Plotnikoff, and Mark Trombino, may not be an exact blueprint for building each drummer’s ideal kick sound, but they are certainly a starting point, serving as a guide around the many pitfalls of what can be a laborious recording task. There may not be hard and fast rules for effectively capturing the natural sound of a kick drum but there are plenty of well-worn guidelines worth following.
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